Two days of content, connection and conversation – bringing together Asia's screen industry leaders, buyers and creators in Bangkok. Plus we're celebrating ContentAsia's 20th anniversary. Join Us!
In a world where wealth and power erase guilt, Situ Feng, known as the “Hand of God”, is the man the elite call upon when disaster strikes. For the right price, he makes scandals disappear, silences evidence, and controls narratives. Situ was once accused of murdering his own parents. The case was closed, but the truth never surfaced. Every crisis he resolves is part of a quiet search for what really happened. As the answers begin to emerge, justice demands a price that Situ may not survive.
, Executive Producer, Mediacorp
ScreeningQ & A
12:30pm – 1:45pm
Lunch with Mediacorp
1:45pm – 2:00pm
Compete for Attention, Collaborate for Value
Philippines free-TV network TV5’s content chief on what life looks like when competing and collaborating run side by side, and the glue in the ecosystem is less about ownership than about relationships.
, AVP/Head, Programming and Content Management, TV5 Network Inc., Philippines
2:00pm – 2:20pm
Free TV's Next Life: Completing the Digital-Entertainment-Consumer Loop in Hong Kong
Hong Kong's free-TV environment is being reshaped with a promised revitalisation programme that turns one of the territory's oldest pay-TV platforms and a legacy free-TV business into a multi-platform, multi-dimensional media network that aligns digital, sports and news with on-ground events and the adtech built to turn viewers into addressable, measurable consumers. We talk to the people leading the drive to return HOY to centre stage.
, CEO and Executive Director, i-Cable Communications, Hong Kong, Chief Content Officer, i-Cable Communications Ltd, Hong Kong
2:20pm – 2:45pm
From Sideline to Serious: Scale, Fandom and the New Funding Playbook as Premium Entertainment Shifts to YouTube
Broadcasters and rights holders discuss what it takes to run a YouTube channel that's as big or bigger than original broadcast platforms, what that scale means for the direct-to-fans relationship with premium IP — the upside, and the risks of building an audience on a platform you don't own. Plus how digital-first funding models are being shaped for that shift, drawing on familiar film and TV gap-financing frameworks and looking at what carries over, what needs to be built, and what has to change when YouTube is the primary window.
, Strategic Advisor, Rein Entertainment, Managing Partner, V47 Entertainment, Executive Manager – Digital and New Media Strategy, BECi
Boys Love (BL) across Asia has moved well beyond romance. Mandarin BL (CBL) is leading the shift into darker and more complex story territory – power struggles, crime thrillers and stories of injustice – while Thailand is propelling Girls Love (GL) to new heights and Japanese BL series are finding lively audiences in Southeast Asia. This session tracks the genres changing the face of LGBTQ entertainment, blockbuster pairings, and eyes-wide-open pragmatic distribution models.
, International Contents Sales and Acquisition, Yomiuri TV, Writer/Director, “Bake Love Feeling” (2026), “The Ex-Morning (2025)
3:25pm – 3:50pm
Networking Break with Vidio
3:50pm – 4:20pm
Vidio’s Vertical Venture
Leading Indonesian SVOD platform Vidio reveals its new plan to expand microdramas at scale, through a strategic partnership and co-production.
, Chief Content & Strategy Officer, Vidio
4:20pm – 4:40pm
An AI Audit: Pricing Out AI in Content Production
AI in content production comes with much noise but not (yet) much shared vocabulary between the people building the tools and the people who have to budget, commission or greenlight power around them. This session closes that gap: a practical, real-numbers tour with examples of through where AI is cutting costs in premium video creation, where it isn't, what's vanity and/or performance, and what still needs a human hand – and at what price. The discussion includes translating "tokens" into terms the broader industry can budget against — what they are, how usage turns into a bill, and why they don't map neatly onto the hours and headcount most cost conversations are built around.
, APAC, Magnific, CEO, Loomi Entertainment Group
4:40pm – 5:10pm
PREMIERE SCREENING: "The Nine-Tailed Fox's Revenge Marriage | 구미호의 복수 결혼"
The world premiere of Loomi Entertainment Group's Korean microdrama, "The Nine-Tailed Fox's Revenge Marriage", with a private tour of how 100% AI-generated (AIGC) content is created. (No recording allowed)
, CTO, Loomi Entertainment Group
ScreeningQ & A
5:10pm – 5:40pm
Drama and Beyond: Reality, Factual & AI
When Vertical OTT is the goal, genre and tech expansion is an essential and partnerships clearly need to be reinvented. A discussion about moving beyond drama to blending genres and injecting microdrama hooks into other formats to create a new layer of entertainment for mobile.
, CEO, Bomanbridge Media, Director of Strategy & Business Development, CP Group (TaTang by True ID), Global Chief Marketing Officer & General Manager, COL Group International
5:40pm – 6:00pm
Vertical Video
Vertical video clearly doesn't wait around; trends flip in weeks and yesterday is a lifetime ago. A series of conversations that break down the latest genres and story formats, how the craft and language of vertical storytelling is changing, where AI earns its place in the workflow (and where it doesn't), and whether (or not) there's space for other genres to stop the scroll.
, Co-founder/CEO, AR Global Network
10:00am – 10:30am
Registration & Coffee with Paramount
10:30am – 11:00am
Ambition vs Evidence: How Ready is Thailand for Premium Global Scale?
2018 free-TV time-travel romcom "Love Destiny" (บุพเพสันนิวาส) from Ch3 continues to give Thai producers a glimpse into what's possible internationally. Hope spiked in 2024 with "Master of the House" by Kantana Motion Pictures; in 2025 with "Mad Unicorn" by GDH 559; and this year with "The Evil Lawyer" by underDOC – all for Netflix, which says it invested US$200m in Thai content between 2021 and 2024. But true global engagement for serialised drama is more difficult than it looks. So, we're asking: Is Thailand ready for premium global scale? And – if not – what might the missing pieces be?
, Director of Business, gdh559, AVP, Business Development, Viu Thailand, Vice President – Head of Acquisition and International Sales, Mono Streaming Co., Ltd.
11:00am – 11:30am
Inside Netflix’s “The Evil Lawyer” with Director Kai Boonprakob
Thailand's first courtroom drama at this scale, “The Evil Lawyer” was discovered at a creative lab organised by the Thai government's Creative Economy Agency (CEA). The show went on to attract 37.5 million hours viewed around the world – making it Thailand's top series on Netflix for the first half of this year. The drama also earned a place on Netflix's global non-English top 10 for two weeks. Co-director Kai Boonprakob joins us to talk about the leap to premium global streaming originals, factual instincts in fictional worlds, creative choices, the possibility of de-risking storytelling, and where he goes from here.
, Director, “The Evil Lawyer” and “Mad Unicorn” / Co-founder, underDOC
11:30am – 12:00pm
The Thai Story Bet: Homegrown Platforms and Local Audiences
As homegrown platforms compete more heavily for Thai viewers, local audiences come first. At the same time, no-one is giving up on the idea that a good story travels. A discussion about what storytelling and originality mean when the priority is the audience on your doorstep, but the hope is much bigger, and a look at some of the new local series flying the flag for Thailand.
, Content Strategy & Production Specialist, TrueVisions NOW
12:00pm – 12:30pm
Beyond Bangkok: Mapping the World's Taste for Thai Content
Thai dramas have built fanbases from Manila to Mexico City, but the global distribution map isn't evenly lit up. This session tracks where appetite is strongest, where the creative environment has shifted and what this means for international markets, where distribution hasn't caught up, and what it would take to close the gap.
, Founder/CEO, Latin Media Corp, Co-founder/MD, i.e. Entertainment
5:30pm
The ContentAsia Awards 2026 LIVE from the Red Carpet – Brought to you by CMGO
ContentAsia shifts to Cloud 11 for the Red Carpet, Awards & 20th Anniversary Party
622 Sukhumvit Soi 24, Klongton, Klongtoey, 10110 Bangkok, Thailand
A special delegate rate is available exclusively to registered, paid attendees of ContentAsia LIVE. Register and complete payment first — booking details and the rate code will be sent to you afterwards.
Yes — registered, paid delegates get access to a special rate at our partner hotel, Emporium Suites by Chatrium. You'll need to complete your registration and payment first; booking details are sent afterwards. See the Venue section for details.
Our focus is on the value that comes from personal interactions, so no, this year's sessions will not be live-streamed. Edited highlights may be available after the event.
For speaking opportunities, contact Janine at janine@contentasia.tv. For partnership, reach out to our regional Ad Sales & Partnerships team — see the Partners section above.
Visa requirements vary by nationality. Please check Thailand's official immigration guidance for your country before booking travel.
Sessions will be conducted primarily in English.
Contact
Get in touch
Questions about the agenda, speaking, or partnering with ContentAsia LIVE? Reach out below.
"In his hands" (神之手) from Mediacorp is an upcoming Chinese-language crime thriller starring Jasper Liu as Situ Feng, known as the “Hand of God” – the man the elite call upon when disaster strikes. For the right price, he makes scandals disappear, silences evidence and controls narratives.
But Situ Feng has a dark past of his own. Once accused of murdering his parents, every crisis he resolves brings him closer to uncovering the truth about what really happened – and a reckoning he may not survive.
Also starring: Tyler Ten, Hong Ling, Cheryl Chou, Cynthia Koh and Nick Teo.
Screening language: Mandarin Chinese with English subtitles
Stay on after the session for a complimentary networking lunch, courtesy of Mediacorp.
The Nine-Tailed Fox's Revenge Marriage | 구미호의 복수 결혼
Synopsis: Ri Yan, a 970-year-old nine-tailed fox, infiltrates the Kang family to avenge the man who betrayed and killed her centuries ago. When hypnosis fails against the fate-bound financial tycoon Taehyun, she turns to seduction, drawing dangerously close in a ruthless revenge game where predator and prey are destined to collide.
Genre: Fantasy, Romance, Revenge, Past Life
Screening Language: Korean with English subtitles
Doreen Yap
Executive Producer, Mediacorp
Doreen Yap is an Executive Producer with Mediacorp, Singapore’s national media network and largest content creator. She has clinched an impressive array of awards, such as Best Direction (Bronze) at the New York Festivals TV & Film Awards in 2023, and Best Director at Star Awards 2019 and 2021. She was also nominated for Best Director at both the Seoul Webfest in 2022 and ContentAsia Awards in 2021. Over her career, she has worked on different genres including period and historical drama, romance, action and crime.
She has also produced titles such as:
See You At 11pm (2025)Yet to released • Co-production with Taiwan
Unforgivable (2024)Star Awards 2025, Best Drama • World Media Festival 2025, Silver Award • 2024 Highest-rated drama in Singapore
The Takedown (2021)New York Festivals TV & Film Awards 2023, Best Direction, Bronze • Seoul Webfest 2022, Nominated - Best Director
A Quest to Heal (2021)Creative Achievement Awards 2021, Best Director • Content Asia Awards 2021, Nominated - Best Director • Star Awards 2021, Best Drama • International Emmy Awards 2021, Nominated - Best Telenovela
Ivy Wong
CEO and Executive Director, i-Cable Communications
Ivy Wong Nga Fan was appointed as Chief Executive Officer of i-Cable Communications in January 2026. She has served as an executive director of the company since September 2025. Ivy has over 25 years of experience in the multimedia, content & entertainment marketing and IP building & promotion business spanning a global coverage of online and offline media and social media networks. She has been the founder, chief executive officer, chairman, and a major shareholder of digital media and social commerce company VS Media Limited since 2013. VS Media Limited is indirectly wholly owned by VS MEDIA Holdings Limited (Nasdaq: VSME), which has been listed on Nasdaq since 2022. Prior to launching VS Media, she founded fashion/lifestyle focused social media and commerce platform, Vissible Co & Limited. She has also worked in senior roles at HMV Entertainment (Hong Kong), Next Mobile, TVB.com, and Yahoo!. She graduated from the University of Toronto in Canada with a Bachelor of Commerce degree in International Marketing and Economics in 1996.
Cora Yim
Chief Content Officer, i-Cable Communications Ltd, Hong Kong
Cora Yim is Chief Content Officer of HOY Media Network, i-Cable Communications’ newly rebranded free-TV service, where she oversees entertainment and lifestyle programming as part of the leadership team appointed in early 2026 to lead Hong Kong free-TV’s revival. She was previously SVP at Fox Networks Group Asia and went on to found/co-found and lead production ventures, including Plan C Studio, S11 Partners and Sixty Percent Productions.
Anthony Buncio
Strategic Advisor, Rein Entertainment
Anthony has 20 years of experience working in the U.S. and Asia as a creative executive and producer/showrunner. He most recently spearheaded creative development & content strategy for one of Indonesia’s major film and TV studios, Screenplay Films, as SVP of Streaming. His latest series include “Ratu Adil” and “Pertaruhan”, both for Vidio, and “Mendua” (an adaptation of BBC’s “Doctor Foster”) and “Tira”, both for Disney+ Hotstar. Previously, he was the regional executive producer for streaming platform, iflix. He made his first foray in the region launching global formats with Fox Networks Group, Sony Pictures and CBS Studios International (Asia’s Next Top Model, China’s Next Top Model). He started his career in the U.S. as a line producer on feature films and supervising producer on several hit shows.
Pornrapat Rujayachayakul
Executive Manager – Digital and New Media Strategy, BECi
Bio coming soon.
Mark Francis
Chief Content & Strategy Officer, Vidio
Mark Francis is Chief Content and Strategy Officer at Vidio, Indonesia’s leading streaming platform, where he has led a fundamental shift in how the company approaches original content. Francis brings more than two decades of experience across the Asian media landscape to the role. Before joining Vidio in December 2023, he held senior leadership positions at Warner Bros. Discovery and HBO, where he served as Group Lead for Original Production across Southeast Asia, Hong Kong, and Taiwan. He has also held Chief Content Officer roles at streaming platforms iflix and Astro’s sooka. Earlier in his career, Francis held executive and development roles at Fox International Channels and Discovery Networks Asia Pacific, shaping his deep understanding of regional audiences and content trends across Southeast and Northeast Asia. An award-winning executive producer, Francis is a member of the International Academy of Television Arts & Sciences and remains a prominent voice on regional streaming.
Justin Deimen
Managing Partner, V47 Entertainment
Justin Deimen is a systems-oriented cultural strategist and media entrepreneur working across the creative economy to shape societal narratives, capital flows and institutional futures. Operating at the intersection of art, finance, Web3/AI and humanity, he specialises in developing and scaling sustainable creative ecosystems – aligning IP, commercialisation, trade policy and talent across global markets. His work spans film/TV, performing arts, media-tech, branded entertainment, gaming, sports, licensing, fundraising and M&A.
Sharon Tse
CEO, Loomi Entertainment Group
Sharon is an award-winning business leader with over 17 years of experience in corporate management, specializing in business operations, marketing, and enterprise growth. She has led multinational projects in strategy and communications, consistently recognized for driving impactful initiatives that deliver measurable results. As an entrepreneur for more than 10 years, she has built and scaled ventures in entertainment, ticketing, and technology. Her leadership has transformed companies from deficit to profitability, strengthened market positions, and accelerated growth through innovations in AI, digital imaging, and Web3. Widely recognized with multiple international awards, she is known for her visionary leadership, ability to drive company growth, and passion for using technology to redefine user experiences, shape digital engagement, and create lasting industry impact. Sharon founded Loomi Entertainment Group in 2023. She was appointed Group CEO in May this year following the sale of a 70% stake in the company to Nasdaq-listed Globavend Holdings.
Ivan Tan
CTO, Loomi Entertainment Group
Ivan Tan is a distinguished technology leader and entrepreneur with over a decade of experience, renowned for driving innovation and applying cutting-edge technologies to business challenges. He is particularly passionate about leveraging artificial intelligence to create significant value and impact in the digital landscape.
As CTO at Loomi Entertainment Group, Ivan is at the forefront of transforming the entertainment industry through AI. He leads the technological vision behind the company’s mission to redefine how stories are created and experienced.
His defining contribution is the architectural development of Imaginary – Loomi’s proprietary cinematic AI engine – a system that doesn’t just support the filmmaking process, but expands the boundaries of what AI can achieve within it.
Ivan’s extensive background includes diverse and impactful roles. He co-founded Lumiso Group Sdn Bhd, and gained significant experience in the web3 space, where he led the technology direction of a social fi project, revolutionising online interactions and value exchange through expertise in migration, team building, performance optimization, and emerging technologies.
He also co-founded Trion Creation, an IT services and consulting firm, delivering bespoke technology solutions to blue-chip clients.
Ivan’s vision is clear-eyed and far-reaching: AI isn’t just a production tool — it’s a creative force that will transform the very nature of storytelling. That conviction is the thread running through every system he architects, every team he leads, and every boundary he pushes at Loomi.
Elvin Tan
APAC, Magnific
Bio coming soon.
Anne Chan
Co-founder & CEO, AR Global Media Network
Anne is a leading figure in Asia’s micro-drama revolution and a driver of regional and international content innovation. With over two decades of media experience – including senior roles at CJ ENM and Paramount International – she specialises in cross-market expansion, global partnerships, and building high-impact content ventures across Asia and global digital markets. Anne leads AR Global Media Network’s vision to build a connected global content ecosystem. Under her leadership, AR became the first company to bring microdrama content to major Southeast Asian platforms, forging landmark partnerships with Telkomsel, AIS and CelcomDigi. She also secured the exclusive global representation of ReelShort, positioning AR at the center of the worldwide short-form content movement.
Patsakorn Laohrenu
Director of Strategy & Business Development, Content & Media, CP Group
Patsakorn Laohrenu leads Business Development for Content & Media at CP Group, Thailand’s largest conglomerate and one of Asia’s leading enterprise groups. Her role spans joint ventures, strategic partnerships and new business incubation at the intersection of content, technology and consumer platforms, while driving synergies across CP Group and True Corporation.
She pioneered CP Group’s entry into the short-form drama business, including the development of new production capabilities and the Group’s short-form drama platform, TATANG, while building partnerships with leading entertainment and technology companies in Thailand and across Asia. She works across CP Group’s broader ecosystem to connect content and IP with large-scale consumer distribution.
Her current focus is on developing sustainable models for short-form entertainment, including creator and talent development, new production capabilities, and pathways for Thai content and IP to reach regional and global audiences.
Timothy Oh
General Manager / Chief Marketing Officer, COL Group International
Timothy Oh is the General Manager and Chief Marketing Officer at COL Group International, where he spearheads the company’s international marketing and PR efforts while driving expansion across licensing, content distribution, and strategic partnerships. Based in Singapore, Tim plays a pivotal role in establishing COL’s global presence and reputation as a leader in microdrama and original IP.
Prior to joining COL, Tim held senior leadership roles at global entertainment and tech companies including Sony Pictures, Microgaming, and most recently as Regional Director for Asia Pacific at LiveScore Group. With over 15 years of experience spanning media, marketing, and commercial strategy, he has consistently delivered growth across diverse markets and platforms.
Tim was drawn to COL’s ambitious vision for redefining short-form storytelling and its commitment to scaling original IP like Luo Xiao Hei across borders. At COL, he leads efforts to elevate brand awareness globally through high-impact PR, brand partnerships, and culturally resonant campaigns, while building strong regional pipelines through telcos, streamers, and digital platforms.
Sonia Fleck
CEO, Bomanbridge Media
Bio coming soon.
Sangho Lee
Vice President – Head of Acquisition and International Sales, Mono Streaming Co., Ltd.
Sang Ho Lee is an experienced media and entertainment executive with more than two decades of professional experience spanning international media, content acquisition, licensing, sales, and international business.
He joined Mono Streaming Co Ltd in 2012 as Head of International Content Acquisition, and in his current position oversees international content acquisition, international business development, content licensing, and sales, while developing and maintaining strategic relationships with international studios, platforms, broadcasters, distributors, and other media partners.
Before that, he worked for Mono Technology Co., Ltd. as Senior Manager, International Business Responsible for international business activities and the development of overseas partnerships.
Akirakorn I-kitisiri
Assistant Vice President of Business Development, Viu Thailand
Akirakorn I-kitisiri leads revenue growth, audience development and strategic partnerships. He also oversees content acquisition, Viu Original productions, licensing, and talent and showbiz initiatives, helping shape Viu’s local content strategy and strengthen its position in Thailand’s competitive streaming market. With over 20 years of experience across media, digital entertainment, telecommunications and pay TV, Akirakorn has held senior leadership roles at BEC World, Mono Group, GMMZ and dtac. His expertise spans content strategy, platform monetisation, partnership development and the launch and growth of digital entertainment businesses.
Yanisa Hankansujarit
Director of Business, gdh559
Bio coming soon.
Nitipat (Earn) Uahwatanasakul
Content Strategy & Production Specialist, TrueVisions NOW
Nitipat (Earn) Uahwatanasakul is Content Strategy and Production Specialist at TrueVisions NOW, Thailand's premium streaming platform, where he leads the end-to-end development and production of Thai Original films and series — directing a portfolio of more than 25 projects a year, from high-profile drama remakes to novel adaptations. A former Content Creative Manager, Local Originals at Netflix, Nitipat brings over 15 years of experience as an Executive Producer and Creative Producer for Thailand's leading broadcasters and studios, including BEC World and MONO. His work has earned national awards and Southeast Asian award nominations, giving him a rare perspective that spans global streaming standards, Thai broadcast heritage and the craft of premium original storytelling.
Jose Escalante
CEO-Director, Latin Media Corporation
Jose has been CEO-director of international acquisition, production and distribution company, Latin Media Corp., since September 2009. The company maintains strong content links with Asia, acquiring series from, among other markets, Malaysia, Thailand, Korea, China, Vietnam, The Philippines, India, and Taiwan, for distribution in Latin America, and the US, the company also distributes series and Telenovelas from Latin America in Asia, Latin America, and Europe. Jose’s previous roles include president and CEO at Dori Media and CEO and vice president at RCTV International.
Indra Suharjono
Co-founder, I.E. Entertainment Pte Ltd
Indra co-founded I.E. Entertainment, the exclusive worldwide distributor for BEC World, and advises the listed Thai company on its global content strategy. She is also the exclusive distributor of 8-part mini-series COOLIE, produced by Cathay Film Company, and was executive producer of Project Runway Thailand S1. In her 32+ years in Asia’s media & entertainment industry, she was CEO at Taiwan’s Next Animation Studio for three years, and spent a decade with Viacom Int’l Media Networks Asia, including as EVP & MD for Asia. She held senior positions with Warner Bros. Pictures Int’l, Warner Bros. Consumer Products and Turner Entertainment Networks Asia. Indra also serves on the board of Cathay Organisation Holdings.
Kai Nottapon Boonprakob
Director, “The Evil Lawyer” and “Mad Unicorn” / Co-founder, underDOC
Kai started his career in 2009 at Thai film studio GDH (GTH), for which he wrote two feature film scripts; “Suckseed” and “May Who?” In 2015, he studied for a master’s degree in Social Documentary Film at School of Visual Arts, New York. His documentary “Alex” was shortlisted for the 2017 BAFTA Student Films Awards and screened on 60 Second Docs. His first feature doc, “2,215”, won film awards in Thailand. His second feature, “Come and See”, was selected for the Wide Angle Documentary Competition at Busan International Film Festival 2019. In 2019, Kai co-found underDOC, a Bangkok-based production company focusing on non-fiction films, and went on to win international advertising awards for his commercial works. In 2021 he worked as scriptwriter/co-director for “One for the Road”, a feature film produced by Wong Kar Wai. The film won World Cinema Dramatic Special Jury Award: Creative Vision at Sundance Film Festival 2021. His directorial debut “Mad Unicorn” appeared on Netflix’s global non-English TV Top 10, as did his latest project, legal drama “The Evil Lawyer”.
Phadung “Lit” Samajarn
Writer/Director, “Bake Love Feeling” (2026), “The Ex-Morning (2025)
Bio coming soon.
Takeshi Murakoshi
International Contents Sales and Acquisition, Yomiuri TV
Bio coming soon.
Jillmer S. Dy
AVP/Head, Programming and Content Management, TV5 Network Inc., Philippines
Jillmer S. Dy leads content strategy across broadcast, OTT and digital platforms, overseeing ideation, production, acquisition and distribution. He also serves as Supervising Producer of TV5’s Saturday primetime musical-variety show, “Vibe Plus”.
A member of the Philippine television industry since 1991, Jillmer’s 35-year career spans writing, directing and producing across the country’s top three networks: ABS-CBN, GMA and TV5.
Before TV5, he was AVP/Head, Entertainment Programming at Cignal Entertainment, and Director of International Production and Co-Production at ABS-CBN, casting the first season of “Almost Paradise”, a co-production with Dean Devlin’s Electric Entertainment.
He spent four years as Creative Manager on ABS-CBN’s noontime show “It’s Showtime”, and lectures on Writing Non-Narrative Content at the University of Asia and the Pacific.
Nini Yusof
CEO, Media Prima TV Networks and Primeworks Studios
In her dual networks and production leadership role, Nini operates at the core of Malaysia’s content creation and distribution. In 2025, Primeworks Studios produced and marketed Malaysia’s two highest-grossing films of the year and top five of all time – Blood Brothers and Ejen Ali The Movie 2. Nini’s leadership is marked by a spectrum of groundbreaking achievements, from dominating local production with quality documentaries and popular dramas, to capturing record-breaking social media engagement with innovative short-form content for younger audiences. Her successes also include launching the e-commerce platform Wowshop with CJ E&M. She previously worked at FOX, NBCUniversal and KPMG.